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It also scrolls through Paige’s personal Facebook timeline, exposing her legal first and middle names.

Paige says producers shouldn’t have included her real name in the series.

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reports that the consent form Paige signed grants producers the “irrevocable right to film, tape, photograph and record” Paige and use her “actual or fictitious names, voice, likeness and any biographical facts.” This means producers were likely within their legal rights when they published footage of Paige’s interview, broadcasted her legal first and middle names, and pulled a clip from Kay and Elizabeth’s performance.After our interview, she and her friends will probably hit the pool at a local apartment complex and do what millennials do: eat pizza and play out their lives in front of tiny, portable cameras.During our wide-ranging conversation she'll talk confidently about the business of live streaming video, the ephemeral nature of online fame, Rashida Jones' controversial Netflix documentary and the markup on consumer eyewear.Also with Keri Russell, Brendan Gleeson, Jacob Lofland, Brad Carter and Sean Bridgers. [] A woman sitting in a church pew has a large belly and we hear that she is pregnant; the camera cuts to her shoulders and head as she screams in labor pains (we see her bare upper arms and a glimpse of both knees in a long shot as we hear a baby cry and later see a clothed baby).- Soldiers kneel in a long line and shoot at opposing soldiers while cannons fire balls that cause smoke, fires, and throw dirt into the air; we see the tops of three soldier's heads blow into the air with blood and gore and a close-up shows the wide open skull of a fallen soldier with his face missing and flies buzzing around the opening.